Dhoomam had its theatrical premiere in June of this year, to tremendous acclaim. Dhoomam was guaranteed to score high with critics and create much-needed momentum at the box office, given Pawan and Fahadh’s track record of crafting films that are immensely entertaining.
Finally, Dhoomam, directed by Pawan Kumar and starring Fahadh Faasil, is now accessible to watch online.
Where Can You Watch Dhoomam?
According to Binged, the film is now accessible on Apple TV for streaming.
Dhoomam Storyline:
The movie was planned to be a psychological thriller about identity, memory, and perception. It tells the story of a guy who wakes up with no recollection of his history and is compelled to reconstruct his identity. He discovers a horrible truth that threatens to ruin him while he does so.
The film follows two parallel storylines: the present, when Fahad is with his wife, and the past, where he still has his marketing position at a friend’s firm.
Fahadh, the protagonist of the psychological thriller, must rebuild his history after waking up memoryless:
Fahadh’s next film will be Mari Selvaraj’s political thriller, Maamannan. In an ensemble cast, he will star with Keerthy Suresh, Lal, Udhayanidhi Stalin, and Vadivelu. Nonetheless, Pushpa 2: The Rule, the sequel to Pushpa: The Rise (2021), is his most-awaited film. He will be seen sharing screen time with Allu Arjun, Rashmika Mandanna, Jagapathi Babu, and Anasurya Bharadwaj.
On Skipping Movie Promotions, Fahadh Faasil:
“It’s pointless for me to do the job if the film doesn’t speak for itself.” I labor as hard as a dog. I don’t need to go around asking folks to see the movie. Allow them to watch it if it’s excellent. If they don’t find it enjoyable or if it’s poor, let them not watch it, and we’ll work on improving it. “I believe in the film doing all the talking,” the actor told Cinema Express in an interview.
“Every creative endeavor carries a certain level of risk,” Fahadh explained, “and with Pawan, the chances are quite high.” Such a risk appeals to me. Lucia and U-Turn are not the type of projects that can be decided in a single meeting. The same is true for Dhoomam, and I like Pawan’s method, which is why I wanted to be a part of it. The film explores a delicate and timely social problem. Some performers may want to avoid it, but the time has come to present stories like these.”
